Netflix promises to reveal ‘more specific’ viewership data for the first time to show who is watching its shows and which programmes are the most popular
- Netflix has announced that it will be more transparent with viewing figures
- The streaming giant have never revealed figures before this announcement
- Every traditional broadcaster has revealed figures as a basic duty- except Netflix
- Content chief Ted Sarandos shrugged off looming competition from upcoming rival Apple and Disney streaming services, at their quarterly earning last night
Netflix has announced that it will begin revealing its viewership data for the site’s original content with creators and viewers.
The streaming giant last night announced a record 9.6 million subscribers – 7.86 million of which come outside the US – in its quarterly earnings report.
Netflix also shrugged off looming competition posed by Apple and Disney who are both launching rival services, saying new entrants will not affect Netflix’s growth.
The statement is a bold reversal on Netflix’s apparent policy of keeping their audience numbers of their content secret.
Ted Sarandos, Netflix’s chief officer, said he would be would be ‘rolling out more specific data’ in an effort for the company to be more transparent.
Traditional broadcasters and film studios routinely release their figures, but Netflix has largely avoided doing this – until now.
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Netflix has announced that it will begin revealing its viewership data for the site’s original content with creators and viewers. The streaming giant last night announced a record 9.6 million subscribers in its quarterly earnings report (file photo)
NETFLIX’S TOP FIVE SHOWS ACCORDING TO DATA FROM 2018
Neflix’s top performing shows in the US were not created by the streaming firm, according to data released by Jumpshot in 2018.
1. The US version of The Office (owned by NBC)
2. Friends (owned by Warner)
3. Parks and Recreation (NBC)
4. Grey’s Anatomy (Disney)
5. New Girl (20th Century Fox).
‘We’re in the middle of a content arms race, which to date has been driven by Netflix’s investment in content licensing and creating original content,’ marketing expert Bea Alonso from video tech firm Ooyala, based in LA, told MailOnline.
‘However, as players like Disney join the market, it’s not surprising that we’re seeing uncharacteristic moves like this from Netflix, potentially trying to emphasise their dominance in the market as others look to take a piece of their pie, particularly when trying to compete with content that touches the hearts of several viewer’s generations, like Disney’s.
‘Fundamentally though, Netflix’s biggest differentiator is actually its supply chain, particularly when it comes to enabling such rapid expansion into new markets and getting viewers the content they want to watch to keep those subscriber and viewership numbers growing.
‘It’s this supply chain efficiency that will ultimately make or break platforms like Disney+. After all, content doesn’t make any money while it’s sitting in production.’
The company did reveal in January that Bird Box, a Netflix show starring Sandra Bullock, was watched by 26 million subscribers in its first week on the platform.
However, the declaration was met with cynicism on whether the numbers were real, estimated or based on significant viewing.
In last night’s statement, however, Netflix didn’t reveal what constitutes a stream, and whether members and their households watched content to completion.
‘Over the next several months, we are going to be rolling out more specific, granular reporting,’ said Mr Sarandos in the statement.
‘First to our producers, and then to our members, and be more fully transparent about what people are watching on Netflix around the world.’
Netflix has long kept their audience numbers of who is watching their original content secret. However, at their quarterly earnings report last night, Netflix’s chief officer Ted Sarandos, pictured here at an event in March, said he would be would be ‘rolling out more specific data’
Last quarter the company explained that, due to their highly variable length, would count a viewer if they completed at least one episode of a TV series.
For a film, they would count a viewer if they watched 70 per cent of it.
The company did not reveal that they would share figures on titles that, perhaps, don’t have impressive results.
MailOnline has contacted Netflix for comment but they had not responded at the time of publication.
Details about how some of Netflix’s newer content has fared – including the Frye Festival documentary and the Kevin Costner and Woody Harrelson-led The Highway Men film – were also released last night.
Netflix revealed in January that Bird Box, a Netflix show starring Sandra Bullock, was watched by 26 million subscribers in its first week on the platform. However, the declaration was met with cynicism on whether the numbers were real, estimated or based on significant viewing
More than 20 million member households watched the documentary FYRE: The Greatest Party That Never Happened during its first month on Netflix
The documentary series Our Planet has been viewed by over 25 million member households since its release earlier this month.
More than 20 million member households watched the documentary FYRE: The Greatest Party That Never Happened during its first month on Netflix.
Around 40 million member households streamed The Highway Men starring Kevin Costner and Woody Harrelson.
‘We are trying to get to a place where we can be a lot more transparent both with our producers and with our customers, who are incredibly interested in making better choices, Mr Sarandos noted on the just over half hour earnings call with CEO Reed Hastings.
‘A lot of times that’s influenced heavily by what the world’s watching.’
Mr Hastings said that the ‘real metric is can we keep our members happy and grow that subscriber base as we did so strongly in quarter one.’
The growth in subscribers, now just shy of 150 million worldwide, comes after a recent price hike in January.
Netflix’s strategy has been long been to offer the service featuring their both original content and licensed shows from other programmers.
According to estimates, Netflix will spend $15 billion (£12bn) on content this year.
Comparatively speaking, Disney and Apple, who both have unveiled rival subscription streaming services in recent months, only plans to spend a combined estimate of around $4 or 5 billion (£3 to £4bn).
Netflix was recently forced to pay a reported $100m (£76m) to Warner, which is launching its own streaming service in 2019 to keep hold of Friends for just one year.
Disney, which owns the Marvel franchise and is launching a streaming service called Disney+ in November, also pulled many of its Marvel shows from Netflix last year.
WHAT SHOWS WILL BE AVAILABLE ON APPLE’S NEW NETFLIX-RIVAL STREAMING SERVICE?
Apple is making a billion-dollar bet on its own on-demand television service that is tipped to launch in 2019.
The streaming platform, which will rival popular services Netflix and Amazon Prime Video, is set for release as early as next March, reports suggest.
Since October 2017, the firm has bought a dozen projects – nine of which have been green-lit for a full series.
The shows are backed by a budget that is set to top $1 billion (£760 million).
The programming would only be available on a subscription channel, most likely bundled with the company’s existing Apple Music streaming service.
They include —
- A psychological thriller by ‘The Sixth Sense’ director M. Night Shyamalan about a couple searching for a lost child.
- A drama series about a network morning show starring Jennifer Aniston and Reese Witherspoon.
- A series on the life of hip hop magnate Dr Dre called Vital Signs.
- A drama series from ‘La La Land’ director Damien Chazellae.
- A revival of Steven Spielberg’s critically acclaimed 1985 anthology series ‘Amazing Stories’.
- A space drama from Battlestar Galactica creator Ronald D. Moore.
- The company is also working on projects with comedienne Kristen Wiig and Academy Award-winning actress Octavia Spencer.
According to sources close to the project, several of the projects have been delayed by Apple, which has pushed back on mature content.
M. Night Shyamalan’s show has reportedly been pushed back because Apple requested the removal of crucifixes from the house of the main characters.
The news network drama series has also been pushed back because execs were hoping for a more ‘upbeat’ show.
Vital Signs has been cancelled completely after Apple CEO Tim Cook took issue with scenes featuring cocaine, an orgy and ‘drawn weapons’.
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