Queen and Adam Lambert perform ‘Somebody To Love’ in Korea
Queen and Adam Lambert’s Rhapsody tour is currently entertaining fans all across North America, with the final two shows taking place in Los Angeles this weekend.
Although the same tour hit Stateside in 2019, the show is ever-evolving with a brand new opening featuring Machines (or Back to Humans) from Queen’s 1984 album The Works, which has today become a digital single.
Roger Taylor shared: “Basically, it starts off where everything is electronic – electronic drums, everything, And what you have is the ‘human’ rock band sort of crashing in. What you wind up with is a battle between the two.”
Queen teased: “While immersive staging pulls the audience into a dystopian world of spinning cogs and hissing pistons, a battalion of CGI robots march across the giant video screens to the sound of ‘Machines’ and look down on the crowd with unforgiving brimstone eyes – only to be vanquished with the assistance of a virtual Freddie vocal, the band then launching into a techo-infused but highly human Radio Ga Ga, which kicks off a two-hours-plus roller coaster of the band’s legacy catalogue.”
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The description continues: “In the opening of the new ‘Rhapsody’ production, the audience hears Freddie Mercury and Brian May’s duetting lead vocals from behind, raising the alarm (originally in 1984!) that The Machines are about to take over. Set against this, the robotic voices are provided by Roger Taylor’s vocoded vocals advocating the Machines’ point of view. The theme of this conflict bursts back in at various points later in the set.”
Sir Brian May, who co-wrote the Machines song with Roger, said: “The Robot Horde provide a narrative thread to our new show. In these days of Artificial Intelligence beginning to invade our whole lives, these mechanical guys personify Robotic Insurgence. In our still-developing current show, Back to Humans is the soundtrack to us as humans reclaiming our control. Machines and Radio Gaga actually have a common ancestor, the beginnings of a collaboration between myself and Roger in the sessions for the Works album in 1984.
“But we had different ideas of how it should develop, and the track split into two songs going in opposite directions … Roger piloting Radio Gaga to completion and into a worldwide hit, and me taking the route of making ‘Machines’ into a kind of unending battle. Putting the new show together, it hit me that ‘Machines’ was more relevant than ever. So the idea came about of theming the show with a 21st century version of this battle – and, incidentally, bringing Ga Ga and Machines fittingly back together once again. And this stands very well with our long-standing belief that a rock show should be live and dangerous rather than performed to clicks and electronic backings.”
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Roger added: “Machines was born out of the electronica we originally explored on Radio Ga Ga to create this sense of the battle between the electric side and the human side.
“Now at a time when it’s increasingly becoming a machines world and we’re all just trying to keep up, we felt it the perfect time to revive this idea of basically going back to humans.”
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